Feline approved

What you don't see in the picture is what they were doing just a few seconds before this photo was snapped. The camera never seems to be available when you need it, huh? Just seconds before they were acting as if the brown rug had catnip woven into it! They were rolling and stretching and rubbing their faces all over the nubby brown texture.

These are two more rugs for Christmas presents. I feel fairly safe posting these as the recipients are too little to be reading blogs. LOL

How big is your stash?

In recent posts by Laura Fry, she talks about finishing projects that are using up her stash. If I was as prolific as she is, my stash would be gone after a few projects! Here's every piece of yarn I have:

What does your weaving stash look like?

Trouble in Mac-land

Weaving of the towels is nearly done. But I've run into a glitch with the shafts. It's not a new problem - I've experienced this on every warp with this loom. I'm hoping someone out there can help. To recap - this loom was previously owned by a local weaver who passed on. I suspect the loom was either never used or rarely used. I was given the original invoice - it was manufactured in 1990. If it was sitting idle - that's a lot of years of deferred maintenance.

The problem is that sometimes when a treadle is pushed, one of the shafts (it varies which specific one) that ISN'T supposed to lift will partially lift. I can hand push the offender down to where it belongs - it feels "tight" like it was squeezed by the surrounding shafts into lifting. In other words, it's definitely not a case of something catching and lifting it. It's probably best to show you.

This is what I should see.


The black bar in the background is the top of the shaft that's partially lifting.


When there's a sticky shaft, the shed looks like this. You can see strings from the stuck shaft hanging out there in the middle.


I suspect the loom needs some lubrication. When I first got this loom I asked about that. Some suggested WD40; others suggested actual oil; and one suggested paraffin. Since my loom sits over carpet, I went with paraffin. I suspect it didn't work so well. It's the metal parts that I suspect need some help; I'm not sure wax was the right choice. Or maybe I just didn't do it right.

I have both WD40 and oil. In fact, I have some spinning wheel oil in one of those long needle bottles. Which do I use? And where do I put it?

Long Lost Bamboo Towels

This morning someone on the weaving at yahoogroups email list asked about weaving with bamboo as warp. Last Fall I did a series of huck towels in bamboo on my counterbalance. It was the last thing I wove on that loom before moving it to the garage for storage. (As much as I'd love to have two working floor looms available to use, there are three other people in this house and they deserve room to live too.) But a search for my post on these towels came up empty handed. I guess it was one of those things "I should write about" that never made it to "Publish Post". I'll have to fix that!

Here is a picture of 2 of the towels. The one on the left has been wet finished but not ironed. It does 'grow' a bit once it's ironed. The one to the right (and half of it is under the one on the left) has been turned sideways and is not yet wet finished.

I used UKI Bamboo (aka Bamboodle) from Village Spinning and Weaving as warp and weft. It's quite thick - listed as a 5.24/4 yarn. I sleyed 16 inches set it at 12 epi. My notes say the warp was 3 yards long but it's likely a bit longer than that - rounding up is a good thing to do with warps so that I have enough room to do some samples. My plan was for 4 towels at 22" per towel plus loom waste. Turns out I got 5 towels out of the warp.

The pattern is a traditional huck lace from Davison's "A Handweaver's Pattern Book" on page 94. I played with the pattern and found I could get a plain weave selvage. I also discovered I could change up the huck pattern by changing the treadling. This was a welcome discovery because it meant I could make every towel a bit different.

So, for the final stats:
on loom: 16" wide by about 22" long (depends on the pattern I used)
off loom: 13" wide by 20" long (for one specifically)
wet finished and ironed: 11.5" wide by 14.5" to 15.5" long

The concerned individual wrote to the group worried about abrasion - would commercially spun bamboo hold up as a warp. My counterbalance loom has wire heddles and in the past has shredded novelty, handspun yarns. Thankfully the commercially spun bamboo was completely unfazed. So yes, bamboo works very well as a warp.

Honeycomb fabric

Over the holidays, I found a design in Laura Fry's "Magic in the Water" book that I want to do. Project 5 - cotton chenille jacket. I will use fine bamboo yarn and cotton chenille. However, there's been a lot of buzz on the weaving at yahoogroups list about how difficult chenille can be so I was hesitant. Also, it's a structure I haven't worked with before, so I thought it might be a good idea to use a shorter warp as a test. Then I ran across a honeycomb fabric project in "The Best of Weavers: Fabrics that Go Bump" and realized the structures are the same, just implemented a bit differently. One uses cotton chenille yarn and the other uses fabric strips. So gave it a try.

From this....

To this...

The fabric hasn't been wet finished yet. It'll probably pull up even more afterwards.

Likes: I love the texture this fabric has as a result of the draft. I like how it tones down the brightness of the fabric but still is quite colorful.

Dislikes: I feel like I wasted my precious bamboo yarn. This project would have been just as nice with a cotton yarn. I should have gone with the chenille instead of the fabric strips for this warp.

I'm not sure how I'll use the fabric. It's almost too heavy to be used in a garment. If the white yarn were cotton, I'd jump at turning it into a bag but the fact that it's bamboo is leaving me hesitant. Not that I don't think it'll hold up - just that it feels like I'm wasting it.

We learn by doing. I did. And I learned.

Macomber loom tool shelf or....

cat perch?




This is Luke. He's my shadow. Where ever I go, he follows. And now, if I'm working at the loom, he's up in the tool shelf. It used to be that he'd jump into the tool shelf, sit for a few minutes, and then move to the back of the nearby couch. Given that it's a bit colder these days, I wondered if putting a pillow in there would encourage him to stay and keep me company. It worked!



The painted warp is coming along nicely. I really like the sage green weft in there. The pattern is a 3/1 twill and lifting 3 shafts at a time. Lifting 3 Macomber shafts isn't so bad. Although, I can see how lifting 8 (once I put more shafts in) might result in a true workout. Frankly, I'd rather workout on my loom than some gym's common-use stairmaster or treadmill. Not that I work out, but if I did....

Holiday Humor

As many of you do, I also read quite a few other blogs. I use Technorati to keep track of my favorites. For the most part, it sorts them by most recently posted.

Today I found this very funny rendition of The Twelve Days of Christmas by way of Sara Lamb's blog. It's done by Bonnie Tarsus, a well-known weaver in Seattle.

I could *so* relate.

Painted Warp

I bought this painted warp from Margaret at Heritage Yarns. The colorway is called Tallahatchee Bridge in 80%/20% rayon silk. I've mixed in stripes of unmercerized cotton in beige and sage green. Under tension, the rayon is a thinner yarn than the cotton but hopefully it will fill back out after wet finishing. I've used another of these painted warps for a shawl and the yarn did do that afterwards. For the warp, I used two turns of the skein starting with the pink. I wish now the ends were either the grey or the olive green as I really like the pink and it's going to end up being thrums. This yardage is going to be part of a jacket for me.

But before I can get started, I have to sample the weft colors. The first (closest to the bottom but not the white - that's toilet paper to spread the warp) is the sage green cotton I used in the warp stripes. It's plain weave. The next is the beige cotton from the stripes in a 3/1 twill. It's okay but I think the colors in the painted warp get lost. Next is the sage green cotton again but in the same twill. I do like that. The last one is a thin white bamboo. I don't recall the size but it's 4000 ypp (yes, quite thin). And again, I think the painted warp gets lost. I could dye the bamboo but that takes time and I really would like to get this going. Besides, the bamboo would make a thinner fabric than the cotton so I'm sticking with the sage green cotton.

You may have noticed the weft isn't perfectly straight from left to right. That's because the tension in the painted rayon/silk is ever-so-slightly different from the tension in the cotton. The rayon/silk stretches more than the cotton. When I beamed it, I tensioned the rayon/silk on it's own weight in hopes it would stretch to its own maximum. This warp may have been a candidate for double-beaming but I don't have a second beam on this loom. Frankly, even if I did, I doubt that I would have been able to get the two tensions any closer than this - they really do feel very much the same. I'm crossing fingers that the wonkiness will disappear in the wet finishing. And since the weft won't be striped, the waves should disappear into the cloth.

Weaving: making something from nothing

A few weeks ago I drove to Southern California to pick up a LeClerc floor loom I bought through eBay. Thankfully, we have friends who live in Porterville, a town about halfway between where we live and where the loom was located. Our friends kindly offered to be a waypoint for me and the kids on this excursion. Here's my new treasure! I've even got a bit of my own weaving showing on it.



Here's a close-up of the weaving. I unrolled it off the front beam so that you could see more of it than is pictured above.



Now, lest you think I've been rather industrious since the arrival of the loom, let me say that the loom came warped with some-once-white cotton string. The previous owner had started a project but never finished it. I rolled the old project onto the front beam and started my own project using some of my icky* handwoven yarn. For yarn I considered garbage, it worked up quite nicely. Maybe if I full it (felt the fibers with soap and gentle agitation) the remaining paint flecks will come out and it'll make a nice placemat.

*"icky" because I dyed a wool roving using dyes that mostly sat on top of the fiber. It was an experiment gone bad. When I spun the roving, I got tons of paint flakes all over me. But could I throw away the yarn or roving? Of course not. Now I'm glad I didn't.

Location Update
As you know, we don't have a ranch of our own yet. We have been taking time this year to scout out various locations. To make a long story short (and I'll elaborate on it in a later post), we're in escrow on a nice 11 acre property in North Fork, California. We're supposed to close escrow tomorrow. I'm a firm believer in "nothing is yours until the deal is done" and there is one glitch that cropped up on Monday so who knows what will happen in the next 48 hours. Cross your fingers for us. I'll post more as soon as the title is (or isn't) in our hands. For now, I'm going back to weaving - it's been a huge stess reliever for me this week.