Macomber Mysteries

A week ago I bought my dream loom. It's a 45" Macomber 16 harness frame with 8 harnesses. The perfect width (not too big, not too narrow). The perfect number of harnesses. And room to expand should I outgrow 8.

Unfortunately, Macomber doesn't have much in the way of documentation. I have the catalogs the original owner received. And lovely catalogs they are! Someone spent a lot of time and energy creating such beautiful marketing literature. I, and probably many other Macomber owners, wish they had put the same energy into providing supporting documentation. So far, I haven't even found someone with a mechanical assembly drawing.

So I come to the community of Macomber owners with some questions. I am fairly mechanically inclined and can figure out most things on my own. I also have some experience with looms (I own 5 not counting the Mac - 2 tables, a floor, and 2 rigid heddles). Sometimes, stuff just plain stumps you.

First, what are these parts?

The middle piece is used to connect the treadle to a shaft. I figured that one out because the previous owner left one still attached. I have lots of those which I assume you need to be able to set up complicated tie-ups. But I haven't a clue about the smaller wire-like piece. There are exactly 10 of those. Coincidentally, the loom has 10 treadles.

Next, what does this lever do?

The photos were taken from the back of loom. I think the black lever is used in conjuction with the big silver hunk of metal in the first picture. Threading the black handle into the slot and lining it up over part of the jack mechanism makes it possible to push down on a single shaft from the front of the loom. Is that how this is to be used? Why would you use something like that?

Last question: what is this for? And where should it be attached?

It hangs off the back beam near the warp beam. It consists of a small spring, some thin rope, and a chain at the end. I know it's not the warp beam brake because there's a ratchet contraption on the other end of the warp beam.

I hope someone can help!

The Curve Balls of Life

It seems people are always asking me what I've been doing and it seems like I never really have an answer. But I must have been busy with something because I never seem to have time to do the stuff *I* want to do.

This past weekend is a good example of doing things I hadn't planned. Last Friday I was in the kitchen when I heard a crash. It wasn't ....CRASH.... It was more like ....crash, tumble, clink, crash, clink, clink..... Looking around I found the shelves in the pantry had simply given up.

Sigh.... although I've been meaning to reorganize the pantry, I really would have preferred to spend the weekend doing something else. But sometimes life hands you a curve ball. So Saturday the kids and I (remember, dh got on a plane that day so he could visit the Queen) spent time driving around looking at various shelving options. We finally found something that would fit as well as maximize the space. After a few days of reorganizing, we now have this:

Maybe this weekend I'll get to play with the new Bamboo yarn that arrived on Monday. I'm itching to do some painted warps.

JoJo isn't happy

And when JoJo isn't happy, she let's you know. Meet JoJo

So why is she upset? My guess is that she's mad that Ken is gone. He left for London on Saturday. That night JoJo slept with dd instead of at the foot of our bed like she usually does. Last night (Sunday) she went to bed with dd but came out after dd fell asleep and was hanging out with me and Luke (our other cat) downstairs. After awhile I hard a commotion in the downstairs bath and went to investigate.

This is what I found...

She pulled the roll out of the cabinet under the sink, took off the paper cover and proceeded to shred it. She used to shred rolls that were on the tp holder a lot when she was younger; we think she was mad that we left her alone all day.

And to show that she does miss Ken, she went back into dd's room and slept with her again last night. She'd better learn to deal with it - he doesn't come back for a few more days.

Monterey Pronk's Fiber Art Competition accepts Mail-in and Check-in day entries!

Monterey Pronk's Fiber Art Competition accepts all entries containing at least 50% alpaca.

The premiums are $10 for First place and $5 for Second Place. We also have special awards for Judge's Choice and People's Choice.

If you download Monterey Pronk's forms the instructions have all kinds of deadlines that are looming near. Well.... if you can hand-walk your entry to check-in, ignore those deadlines and bring your exhibit directly on in! If you have to drop it in the mail, make sure it'll get to me no later than September 21st and I'll bring it to check-in for you.

The information on the website is mostly correct - we've changed a few things to accommodate more entries at the last minute. Here are the changes!

Modified Fiber Art and Skein Entry Instructions

1) Go here. Download the appropriate forms. Separate forms are used for entries in Fiber Arts, Handspun Skeins, and Mill Spun Skeins. Don't forget to fill out a “Fee Form” as well. In a nutshell, Fees are $3 per entry.

IMPORTANT: AOBA Show Division Membership is NOT required for a Fiber Arts & Skeins competition!

2) Fill out all forms. If you have any questions, please contact Kimberly Louie at (alpacas at humminghearts.com)

3) Exhibits must be placed in a clean plastic bag, whenever possible. The preferred plastic bag is a one-gallon size ziplock. One item per bag.

4) Fill out the Fiber Arts and/or Skein Entry Tag and place in the bag with the item. If you want the entry mailed back to you, in the "Pickup Receipt" section, please write “Item is being returned by mail”

5a) Place items, forms, and fees in a tyvek envelope or a box. USPS has free shipping materials. If you use a box, make sure that this box is in good, sturdy condition because it will be the one used to mail back your item(s).

OR

5b) Bring item, entry forms, and fees to the check-in on Friday, September 28 between 10am-4pm to the Monterey County Fairgrounds. As of this post, I'm unsure where we'll be doing check-in so ask someone and they'll be sure to direct you. Alpaca show people are very helpful!

6) Pick Up or Return Shipping: Entires can be picked up Sunday, September 30th between 5-7pm. If you want something returned by mail, you MUST include a return shipping label with postage or carrier label in the envelope/box. Since you may win a ribbon and each ribbon weighs 2 ounces, please calculate that added weight for EACH item.

7) Shipping Fiber Art Items To The Fiber Art & Skeins Competition Manager: We recommend that you ship your Fiber Art Item with a carrier which uses a tracking system (i.e. UPS, Fed-ex, etc). Ship to: Kimberly Louie (address found on the forms). The Monterey Pronk ’07 show management is not responsible for packages that are lost in transit or delivered late.

Note for mail-in entries: The actual Fiber Art items, forms and fees should be postmarked to Kimberly Louie no later than September 15th and needs to arrive no later than September 21st. Please make sure that you email Kimberly at (alpacas at humminghearts.com) to let her know that the items being entered in the show have been shipped to her.

Happy Birth Day!

Today was a long time in coming. 20 months in fact. That's quite a feat considering the gestation for alpacas is supposed to be 11 months. Our first dam, Melody, was bred and set to deliver in September 2006. Unfortunately, tragic events took her from us in December 2005. We acquired a replacement in August 2006 after confirming pregnancy. Her due date, according to her former breeder was May 21, 2007. As you can see, she was nearly a month overdue!

This last month has been incessantly nerve wracking for everyone. There was even a debate this last week as to whether or not she was even pregnant. Um, there's no doubt as of this evening - she's definitely not pregnant! Kissy Missy - aka Kay to us - delivered a 17 pound dark rose grey girl this morning. Textbook delivery; textbook postpartum; textbook newborn antics.

And now we have to give this precious creature a name. I may have mentioned in a previous (very previous) post that we use the alphabet as our naming structure. Our first cria was named with an "A" name (Aria - who sadly died at 29 days old back in 2005). So this one must be a "B" name. We first decided upon Beatrice. While the name does have some family significance, we picked it because my second most favorite 'paca at Foothill Llama and Alpaca Ranch was named Beatrice. She lived a long life and recently passed away. We also chose Baltane (bal'-tan-ah) which is Gaelic for the month of May. Although I'm not a fan of using names people can't easily pronounce let alone remember, I liked the idea of using a Gaelic word because our family has such an affinity for Ireland. But as the May 21st due date came and went, and then so did the entire month of May, Baltane had to be set aside for possible future use. Wanting to keep with the Irish theme, I looked up town names in Ireland. When I happened upon Belleek, I knew we'd have to add it to the list. Belleek is also the name of exquisite Irish Bone China. I have a few pieces from our trips to Ireland and simply love it. But Belleek china is light beige in color so a cria in any other color would have to use another name. As we were crossing our fingers and wishing very, very hard for a grey cria, I became less and less attached to the name Belleek and put it on our list for future possibilities. I also considered Bisbee Blue (a quaint town in southern Arizona - one of the VERY few that I actually liked in that state and "Blue" is another term for grey).

Then just as we passed the 11 month 2 week gestation point (nerve wracking for some; right on time for others - it just depends on how you calculate the due dates for Spring births), a friend of mine passed away suddenly. While I am thankful for the distraction, I'd like to point out to God that there are a million other things he could have chosen to distract me. My friend was a great mom to three wonderful kids ranging in age from 17 to 6. She was only five years older than me and the other day I realized that when I'm 46, I'll have a 17 year old child too. This whole event hit very very close to home for me. As I was thinking back on Kristine one day last week, I was remembering just how open-hearted she was and how happy she always made others feel. She was practically blissful. Blissy Krissy. Yes, I'm being silly - Kristine was fond of doing that too! Ah, but then that very pregnant dam 'o mine's name popped in my head - Kissy Missy. And Blissy does start with "B". (Starting to see the gears turn here?) How wonderfully silly it would be to have Kissy Missy give birth to Blissy Krissy! While I think Kristine would actually get a kick out of having a cria named after, I'm not sure her family would feel the same way.

So without further delay, let me introduce you to Bliss. She may at some point in the future get a more formal name, but she'll always be Bliss to us. In fact, we're quite blissful Bliss is with us and here to stay for a very, very, very long time.



Click on the photo for a larger version

Overdyeing - a kids' project

One of the "jobs" I have these days is being a substitute teacher. For now, I limit my subbing to the school where my own children attend. Since my oldest has gone through almost all of the grades there, I am quite familiar with all of the routines and curriculums. That helps to eliminate some of the stress a sub goes through when faced with a classroom of children eager to convince you "Mrs. X really does let us work together on math worksheets."

Last week I subbed in a 3rd grade class. This was a pre-arranged two day assignment. I love multi-day assignments because it allows me to plan ahead a fiber project for the kids. This time the kids overdyed light brown wool with food coloring. Educationally, it was a science experiment, in case the principal came in wanting to know how food coloring and wool were related to the students' instructional time. The presentation only took about 10 minutes. Putting fiber into their cup took about 20 minutes.

First, we talked about different foods that can cause stains. Putting this in the context of "has your mother ever gotten upset that you got strawberries/hot chocolate/juice/ketchup/mustard/etc... on your clothes?" we talked about natural dyes (strawberries, chocolate, mustard), fiber types (cotton, wool, synthetic) and the process of staining, aka dyeing.

Next, each student was given a strip of light brown wool roving about 12 inches in length. We used Wilton's gel cake decorating colors, which sadly I've recently learned is not light-fast but it served its purpose for this experiment. Each student picked a color. In cases where more than one student picked a color, we made an effort to make different strength solutions to get light and dark shades. Note: Ahead of time I made a list of possible colors on the board limiting the number of students per color lest we have all the boys pick blue and all the girls pick violet.

We put water, a glug of white vinegar, and some of the Wilton's gel into cups. The kids put their roving into the cup, use a spoon to submerge it (we didn't pre-wet the fiber) and place the cup in the sunny windowsill. My intention was to dye this using a modified "sun tea" method. Unfortunately, the sun wasn't cooperating. I knew by the end of the day that I had to speed up the process. I made use of the microwave in the teacher's lounge after school. Three of the cups were left un-finished on purpose so the kids could see the difference.

On the second day, I showed the kids the un-finished cups with the rovings. The fiber did have some color change but the liquid was also still colored. Then I showed them the exhausted cups. They were amazed to see the colorful fiber but even MORE amazed at the clear liquid. "Where did all the color go?", they all exclaimed! I used the two liquid examples to emphasize the need for heat as an integral part of this particular dyeing process recipe.

We also looked at some of the violet and black rovings up close. These food coloring colors tend to split - meaning they'll separate into their main colors and strike fiber unevenly resulting in splotchy dyeing. Some fiber artists call that a "feature" and rely on it for effect. I used this feature to remind them how colors are made (violet = red + blue, green = yellow + blue, black = many colors) and explained that in this case the colors didn't stay mixed once in the water and after separating, the fiber dyed with the separate colors. In our experiments, one of the violets was pink streaked with blue and one of the blacks was green.


The colors we used were:
Christmas Red
Red, Red
Leaf Green
Kelly Green
Yellow
Orange
Violet
Royal Blue
Brown
Black
The strip of light brown roving at the top just above the purple-violet and to the left of the red is a strip of the original colored roving.


Things to do differently next time:
1. Use glass jars instead of plastic cups. It lets the kids see the contents from the side instead of having to stand over the cup to look inside.
2. Pick less colors. Period. I let each student "own" a color but this meant that as I was working with the one student, the rest sat there unoccupied. This particular class is wonderful so there weren't any problems but I wouldn't count on that being the case in the future. From now on, I would work in groups (this was a class of 19 so perhaps groups of 5) and give the others a worksheet to occupy them until it was their turn.

What will become of the rovings? Check back in a few weeks because I've volunteered (i.e. no pay) to go back to the class in early June to finish up.

It's the little things....

that can make a chore so much easier. I've done toenail trimming before and it is such a big job for me that I could only do a handful of animals before being tired and plain worn out. I couldn't understand how Wayne (of Foothill, where we agist) could grab a foot, snip, snip, snip, move on to the next foot and be done with all four in no time flat.

A few weeks ago I was at 101 Alpacas for their shearing day. I went so that I could see how others do it and pick up on any tips for my own use. Well..... Vicki was using this tool that looked very much like a gardener's pruning shear to trim up toenails lickety-split! As I watched, I didn't see her doing anything particularly different from my method. She's considerable smaller than I am so I was pretty sure strength wasn't a factor. It had to be the tool. She said I could get a pair through Useful Items for around $20. I figured if they worked that well for her, it was worth it to me to get my own pair. And if they didn't work any better than the nippers Wayne uses, oh well, at least it's a write-off. I ordered myself a pair and they arrived Tuesday.

So today I went down to Foothill Llama and Alpaca Ranch with my new toenail clippers in hand. Wayne and I rounded up the boys where my two hang out. We caught BB who wasn't too keen on being restrained, let alone having his feet touched. I was a little worried about poking myself or the animal with the ends of the clippers so I proceeded very carefully. Wayne held BB's head and I "wrangled" a foot. Well, I must say I was VERY impressed with my new instrument. It cuts through black toenails like a hot knife through butter! Wayne and I trimmed up 5 boys in about 30 minutes (and weighed a few while we had halters on) and when we were done, I wasn't tired. More significantly, my back wasn't killing me from bending over. And of course the boys seemed to be walking a little prouder now with their newly manicured toes!

The tool is made in Japan by a company named Saboten. The blades are teflon coated and the handles are orange. I've been told there's a green-handled version out there that has stainless steel blades but the person said they bought those in Canada. Those are easier to re-sharpen. For now, I'm simply in love with my bright orange snips!

The next tool on my list: the Tooth-A-Matic tooth trimmer put out by The AlpacaRosa.